Antonio — a prominent merchant of Venice in a melancholic mood.
The event is part of the official program of the Ghetto Quincentennial. Tuesday July 26, at 8. Antonio, a wealthy Venetian merchant, agrees to give financial help to his friend Bassanio, who needs to clear his debts if he is to present himself as a worthy suitor to Portia, the rich heiress who will marry the man who correctly identifies which of three caskets, made respectively of gold, silver and lead, contains her portrait.
Bassanio and Antonio ask Shylock the Jew for a loan of three thousand ducats; he agrees, though he remembers how often Antonio has insulted him and his fellow-Jews at the Rialto. Colombari intentionally clashes cultures, traditions and art forms to bring fresh interpretation to the written word—old and new—and commits to using any means possible to flesh it out.
Colombari is founded on the twin principles that the magic of theater can happen anywhere and be made accessible to everyone.
Jennifer Newman; Technical Director: Less known is the fact that for centuries, Venice was also a focal point of Jewish life and culture.
The Ghetto, founded in as a place of segregation, became an important crossroads of various Jewish communities and a place for dialogue between Jews and non- Jews, the model for all subsequent ghettos, beginning with the name itself which derives from the Venetian geto foundry. Today tens of thousands of people visit the Ghetto every year: The small but vibrant Jewish population treasures its own traditions and participates in the civic and cultural life of Venice.
However the key stories and intellectual achievements of the Ghetto remain hidden and unexplored and the Ghetto still remains the most misunderstood and misrepresented monument of Venice. The approaching th anniversary of the founding of the Ghetto in is a unique opportunity to open a new phase in the history of this site and to highlight its global relevance, through a modern approach to its heritage.
At a time of political uncertainty in Europe, the Ghetto has precious ethical and cultural lessons to educate the public about the Jews, about human rights, cross-cultural and interfaith dialogue. The performance will take place outdoors, in the Campo di Ghetto Nuovo. With ACTV waterbuses n.
Marcuola — Ghetto, n. From the railway station, Lista di Spagna, Guglie bridge then past the bridge on the left follow directions to Ghetto 10 minutes. Leonardo then follow the directions to Ghetto approx. Invitation for 12 people to exclusive dinner party at Venetian palazzo Exclusive Shakespeare in Venice walking tour for party of 12 people Recognition as lead sponsor on all event materials Charitable contribution:The Merchant of Venice is the story of a Jewish moneylender who demands that an antisemitic Christian offer “a pound of flesh” as collateral against a loan.
First performed in , Shakespeare’s study of religious difference remains controversial. The Merchant of Venice Shakespeare homepage | Merchant of Venice | Entire play ACT I SCENE I. Venice. A street.
Enter ANTONIO, SALARINO, and SALANIO Must needs give sentence 'gainst the merchant there. SHYLOCK My deeds upon my head! I crave the law, The penalty and forfeit of my bond. PORTIA Is he not able to discharge the money? In The Merchant of Venice, Bassanio has some financial troubles.
His friend borrows money from Shylock, a Jewish moneylender, but is imprisoned when he can't pay his debt. At the end of the play.
This allows the Merchant of Venice to reach its targets much faster than a normal Great Merchant, thus saving considerable time to the Venetian player. Try to move in the water whenever possible to make maximum use of this heartoftexashop.comement: Customs house.
The Merchant of Venice is a 16th-century play written by William Shakespeare in which a merchant in Venice must default on a large loan provided by a Jewish moneylender.
It is believed to have been written between and The Merchant of Venice contains some of Shakespeare’s usual innuendo and puns but is suitable for most audiences.
You may also like This play is part of the Complete-the-Canon Project.